I have broken my word and added two new pages to my website filmsshort.com this week. As my collection of short films grew, and especially as I hunted down those that won major festivals and awards I realised that I had more drama short films than any other genre. This is because festivals tend to reward drama, just as the Oscars do. So I added another drama page. In all honesty I could add several more drama short film pages but that would rather defy the point of having a deliberately small collection of the very best of each genre.
If you haven't seen The Last 3 Minutes by Po Chan then I suggest you go there. Written and directed by American cinematographer Po Chan, The Last 3 Minutes is an unashamedly tear-jerking flashback through a dying man's life. Every shot is lovingly crafted and there are some beautiful American landscapes! I've tried to get in touch with Po to find an official version but have been unable to find a contact. There is high-definition version with lots of background videos on another YouTube page but am not sure if that's Po's upload or not!
Then I really treat you with three festival winning dramas:
Tanghi Argentini (Argentine Tangos) by Belgian filmmaker Gus Thys (2006), Before Dawn by Hungarian Bálint Kenyeres, and Black Rider (Schwarzfahrer) by German Pepe Danquart.
As if all that wasn't enough, I then went and added a Film London page. Film London is taking over responsibility for attracting investment and film productions to the whole of the UK in the government's shake up of the quangos (and subsequent disintegration of the somewhat nepotistic Film Council). Film London has backed many short films over the last decade through various schemes, most notably their Borough Film Fund and Pulse - the latter theoretically being a step up. However, there have been some very bad misses in amongst the hits (and perhaps more misses than hits), which is very worrying to a film-maker looking for backing. When I talk to new producers I often hear the same fears: bodies tend to invest in people they know rather than the strongest script - and let's be honest: at investment stage the script has to come first!
Having said that, Film London has invested in some talented film-makers over the years and I add what I believe are the best of the available short films out there. It's up to you to decide how worthy they are. Peter & Ben is a lovely documentary and Pop Art is a skilful piece of fiction filmmaking - though I'm still not totally sure what it's trying to say. Enjoy!
Showing posts with label Cannes film festival. Show all posts
Showing posts with label Cannes film festival. Show all posts
Sunday, 9 January 2011
Thursday, 23 December 2010
Sundance Film Festival
Having decided that Oscar and BAFTA winners weren't strictly festival winners (though to be nominated you have to have been shown in at least one several specified festivals) I felt it beholden upon me that I add another festival page, on top of the two Cannes Film Festival pages I already have.
So I have added a new page for the Sundance Film Festival at filmsshort.com This had an unexpected benefit of allowing me to upload High Maintenance to the website, as I had admired the subtlety of this science fiction film (when compared to other science fiction films) but had decided to add Alive In Joburg instead to the sci-fi page.
The Sundance Film Festival has a habit of rewarding unusual films, and historically far more documentaries than most short film festivals. Thus I have uploaded two of the best documentaries to have won at the festival in the last decade: Terminal Bar and Undressing My Mother. Documentaries are hard to pull off in a short time period, for it can be difficult to adequately address the subject (both literally and thematically). It's not up to me to decide how successful these two film are, but I feel that each attempts it in two very different but very effective ways. They are certainly worth watching for any aspiring documentary makers out there.
So I have added a new page for the Sundance Film Festival at filmsshort.com This had an unexpected benefit of allowing me to upload High Maintenance to the website, as I had admired the subtlety of this science fiction film (when compared to other science fiction films) but had decided to add Alive In Joburg instead to the sci-fi page.
The Sundance Film Festival has a habit of rewarding unusual films, and historically far more documentaries than most short film festivals. Thus I have uploaded two of the best documentaries to have won at the festival in the last decade: Terminal Bar and Undressing My Mother. Documentaries are hard to pull off in a short time period, for it can be difficult to adequately address the subject (both literally and thematically). It's not up to me to decide how successful these two film are, but I feel that each attempts it in two very different but very effective ways. They are certainly worth watching for any aspiring documentary makers out there.
Saturday, 18 December 2010
Festival Winning Shorts
In order to research what films I should put on my short film website I had a good trawl of the major short film festival winners, both by going to their websites and by looking on the imdb, the trusted source for film.
One of the strangest consequences was that I realised that there was often no correlation between how good a film is considered by those who vote on the imdb and whether it won an award at this or that festival. Of course, the best films do tend to rise to the top like the proverbial cream but consider a film such as Megatron, which one the Palm d'Or for Best Short Film in 2008 at Cannes. It has averaged only 5.9/10 after 63 votes. That's simply not that great. And many directors fail to secure a career on the basis of such an award.
Thus I had to pay heed to these votes and watch as many of the films as I could myself to decide whether they deserved to go on my website - rather than just adding festival winners no matter what.This created some major problems because Megatron is by no means unique. The Cannes Film Festival throws up other problems: I began by researching Cannes, the Oscars and BAFTA. But unlike the latter two, which hand out awards for live-action and animated short films separately, Cannes has decided to judge both types of film together. One might argue that comparing different short film of the same type is difficult enough (consider how the brilliant Father & Daughter, and Rejected, were both nominated in 2000), but the Cannes Film Festival has decided to make matters that much more tricky by failing to distinguish between the two. Having said that, some of the animations the Oscars and BAFTA have rewarded have been rather poor!
One of the strangest consequences was that I realised that there was often no correlation between how good a film is considered by those who vote on the imdb and whether it won an award at this or that festival. Of course, the best films do tend to rise to the top like the proverbial cream but consider a film such as Megatron, which one the Palm d'Or for Best Short Film in 2008 at Cannes. It has averaged only 5.9/10 after 63 votes. That's simply not that great. And many directors fail to secure a career on the basis of such an award.
Thus I had to pay heed to these votes and watch as many of the films as I could myself to decide whether they deserved to go on my website - rather than just adding festival winners no matter what.This created some major problems because Megatron is by no means unique. The Cannes Film Festival throws up other problems: I began by researching Cannes, the Oscars and BAFTA. But unlike the latter two, which hand out awards for live-action and animated short films separately, Cannes has decided to judge both types of film together. One might argue that comparing different short film of the same type is difficult enough (consider how the brilliant Father & Daughter, and Rejected, were both nominated in 2000), but the Cannes Film Festival has decided to make matters that much more tricky by failing to distinguish between the two. Having said that, some of the animations the Oscars and BAFTA have rewarded have been rather poor!
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