This week I have gone Oscars crazy on my short film website.
I have added yet another page of oscar winning films. Unfortunately, I have had to remove some recent winners due to a legal threat but I keep what I can and include the best of the Academy Award nominees.
Wish 143 was nominated for the Best Short Film Oscar this year. A black comedy directed by Ian Barnes and written by Simon Bigwell, Wish 143 follows the efforts of a young cancer patient, David, trying to fulfil his final wish: which is to lose his virginity. The charity offers him Gary Neville (the soccer player) instead and his friendly priest tries to deter him but David is determined to pop his cherry before he pops his clogs.
Another oscar winning short film from America is Two Soldiers by Aaron Schneider. The Academy has been rewarding longer short films during the last decade, and Two Soldiers is an extreme example. However, it is to its credit that it does not feel that long. Set during WWII, it is a touching account of a young boy who wants to join his brother in the "war at Pearl Harbour". It's very American (was 9/11 a factor in its win?) but a great performance by Ron Perlman (Hellboy) makes you more likely to cry than vomit by the end.
I have cheated slightly by adding I'll Wait For The Next One by Philippe Orreindy. I'll Wait For The Next One (J'attendrai le Suivant) was nominated for the 2003 Oscar but I include it because I have been unable to get hold of The Accountant by Ray McKinnon, which is nearly as long as Two Soldiers anyway.
I'll Wait For The Next One is a bitter-sweet tale of a lonely woman being offered the chance of true love on the Paris metro. I actually find it hard to watch it's so sorrowful! Anyway, enjoy the films at filmsshort.com
Showing posts with label online films. Show all posts
Showing posts with label online films. Show all posts
Monday, 24 January 2011
Sunday, 16 January 2011
Best Short Films From Germany
This week I have added a Best German Short Films page to www.filmsshort.com
It seems to me that German cinema is still struggling to get past the Holocaust and this is partly reflected in the most recent example of a short film from Germany - Toyland (Spielzeugland).
The idea of another Holocaust film, even an oscar winner from Germany, is not necessarily an enthralling idea. However, I challenge you to not have a lump in the back of your throat by the end of Toyland. Set in 1942, and co-written by the director Jochen Freydank and Johann A. Bunners, 'Toyland' is the euphemistic name a German mother invents when her son asks where his Jewish neighbours are going.
An ending reminiscent of Sophie's Choice makes it all worthwhile.
Then comes High Maintenance by Philip Van. A science-fiction short film and Sundance winner, High Maintenance was written by Scot Simon Biggs and directed by American Philip Van, but produced in Germany. Van says, 'I aimed to make a film about the future but emblematic of our era' and thus we find an attractive middle-class couple at dinner, but with the woman failing to get the romantic responses she wants from her 'man'... could I put this on my romance page?
Next comes Black Rider a drama/comedy from German director Pepe Danquart that proves some Germans do indeed have a sense of humor. Filmed in black & white, there is a sure European feel to it but this didn't stop it winning the Oscar in 1994. It is a simple story of bigotry and comical revenge.
I finish off with True by Tom Tykwer, most famous for Run Lola Run!.True stars Natalie Portman and was commissioned as one of the segments of Paris, Je T'aime - a collection of short films financed by the French capital. It is one of the few that stands on its own. Portman is an actress studying at the Conservatoire, who falls for a blind Frenchman. The film starts with what is apparently her break-up telephone call... but watch it!
Enjoy!
It seems to me that German cinema is still struggling to get past the Holocaust and this is partly reflected in the most recent example of a short film from Germany - Toyland (Spielzeugland).
The idea of another Holocaust film, even an oscar winner from Germany, is not necessarily an enthralling idea. However, I challenge you to not have a lump in the back of your throat by the end of Toyland. Set in 1942, and co-written by the director Jochen Freydank and Johann A. Bunners, 'Toyland' is the euphemistic name a German mother invents when her son asks where his Jewish neighbours are going.
An ending reminiscent of Sophie's Choice makes it all worthwhile.
Then comes High Maintenance by Philip Van. A science-fiction short film and Sundance winner, High Maintenance was written by Scot Simon Biggs and directed by American Philip Van, but produced in Germany. Van says, 'I aimed to make a film about the future but emblematic of our era' and thus we find an attractive middle-class couple at dinner, but with the woman failing to get the romantic responses she wants from her 'man'... could I put this on my romance page?
Next comes Black Rider a drama/comedy from German director Pepe Danquart that proves some Germans do indeed have a sense of humor. Filmed in black & white, there is a sure European feel to it but this didn't stop it winning the Oscar in 1994. It is a simple story of bigotry and comical revenge.
I finish off with True by Tom Tykwer, most famous for Run Lola Run!.True stars Natalie Portman and was commissioned as one of the segments of Paris, Je T'aime - a collection of short films financed by the French capital. It is one of the few that stands on its own. Portman is an actress studying at the Conservatoire, who falls for a blind Frenchman. The film starts with what is apparently her break-up telephone call... but watch it!
Enjoy!
Saturday, 18 December 2010
Festival Winning Shorts
In order to research what films I should put on my short film website I had a good trawl of the major short film festival winners, both by going to their websites and by looking on the imdb, the trusted source for film.
One of the strangest consequences was that I realised that there was often no correlation between how good a film is considered by those who vote on the imdb and whether it won an award at this or that festival. Of course, the best films do tend to rise to the top like the proverbial cream but consider a film such as Megatron, which one the Palm d'Or for Best Short Film in 2008 at Cannes. It has averaged only 5.9/10 after 63 votes. That's simply not that great. And many directors fail to secure a career on the basis of such an award.
Thus I had to pay heed to these votes and watch as many of the films as I could myself to decide whether they deserved to go on my website - rather than just adding festival winners no matter what.This created some major problems because Megatron is by no means unique. The Cannes Film Festival throws up other problems: I began by researching Cannes, the Oscars and BAFTA. But unlike the latter two, which hand out awards for live-action and animated short films separately, Cannes has decided to judge both types of film together. One might argue that comparing different short film of the same type is difficult enough (consider how the brilliant Father & Daughter, and Rejected, were both nominated in 2000), but the Cannes Film Festival has decided to make matters that much more tricky by failing to distinguish between the two. Having said that, some of the animations the Oscars and BAFTA have rewarded have been rather poor!
One of the strangest consequences was that I realised that there was often no correlation between how good a film is considered by those who vote on the imdb and whether it won an award at this or that festival. Of course, the best films do tend to rise to the top like the proverbial cream but consider a film such as Megatron, which one the Palm d'Or for Best Short Film in 2008 at Cannes. It has averaged only 5.9/10 after 63 votes. That's simply not that great. And many directors fail to secure a career on the basis of such an award.
Thus I had to pay heed to these votes and watch as many of the films as I could myself to decide whether they deserved to go on my website - rather than just adding festival winners no matter what.This created some major problems because Megatron is by no means unique. The Cannes Film Festival throws up other problems: I began by researching Cannes, the Oscars and BAFTA. But unlike the latter two, which hand out awards for live-action and animated short films separately, Cannes has decided to judge both types of film together. One might argue that comparing different short film of the same type is difficult enough (consider how the brilliant Father & Daughter, and Rejected, were both nominated in 2000), but the Cannes Film Festival has decided to make matters that much more tricky by failing to distinguish between the two. Having said that, some of the animations the Oscars and BAFTA have rewarded have been rather poor!
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